second subject group造句
例句與造句
- Unusually, the second subject group is in the subdominant key of D major.
- Unusually, the second subject group is over four times as long as the first.
- In sonata form in major keys, the second subject group is usually in the dominant key.
- About halfway through his career, Beethoven also began to experiment with other tonal relationships between the tonic and the second subject group.
- The second subject group consists of two alternating themes : the first is mournful and plaintive, featuring some of the melodic contours from the introduction.
- It's difficult to find second subject group in a sentence. 用second subject group造句挺難的
- In music, the "'transition "'is the middle Classical era works move straight from first to second subject groups without any transition.
- Before the second subject group arrives, there's one remarkable bridge passage, introducing a phrase that goes from G flat major to F major, first through distinctive piano arrangement.
- A general pause precedes the recapitulation, which besides reorienting the second subject group to D major, also mixes the subjects of the groups together, with special emphasis on Example 2.
- It is also possible for the first subject group to begin in tonic ( or a key other than tonic ), modulate to another key and then back to tonic for the second subject group.
- In the first movement of Tchaikovsky's fourth symphony, the first subject group is in the tonic F minor but modulates to G-sharp minor and then to B major for the second subject group.
- The first movement is characterized by a sharp contrast between the aperiodicity of the first subject group, characterized by Arnold Schoenberg as " prose-like, " and the " wholly periodic " second subject group.
- Schubert uses a three-key exposition, with a first subject group in the tonic and then a second subject group, first in E major ( the relative major ) and then G-sharp major ( the dominant major ).
- The opening theme, which is based on Contrapunctus 13 from the " Kunst der Fuge ", does develop fugally until into the G major second subject group, a section which is much more conventionally, if wonderfully, treated.
- Also, a haunting ( in Newbould's words ) F major melody at the end of the second subject group of the exposition does not reappear later in the movement ( it had been added as an afterthought in another page, apparently after discarding the coda ).
- In the finale of the original 1872 version of Tchaikovsky's 2nd symphony in F minor, the recapitulation begins with the first subject group in tonic but modulates to the mediant A-flat major for the second subject group before modulating back to F minor for the coda.
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